Cannes (In Competition): Jury Prize, Edinburgh (British Gala): Best British Performance, Toronto (Vanguard), Telluride (The 'Show'), AFI, São Paulo, Karlovy Vary (Open Eyes)
British director Andrea Arnold won the Cannes Jury Prize for the searing and invigorating Fish Tank, about a fifteen-year-old girl, Mia (electrifying newcomer Katie Jarvis), who lives with her mother and sister in the depressed housing projects of Essex. Mia’s adolescent conflicts and emerging sexuality reach boiling points when her mother’s new boyfriend (a lethally attractive Michael Fassbender) enters the picture. In her young career, Arnold has already proven herself to be a master of social realism (evoking the work of Mike Leigh and Ken Loach), investing her sympathetic portraits of dead-end lives with a poetic, earthy sensibility all her own. Fish Tank heralds the official arrival of a major new filmmaker. –The Criterion Collection
Andrea Arnold’s pure, potent Fish Tank is many things: a taboo-breaking love story, a searing portrait of working-class Britain today, a film Ken Loach could have made had he been born a woman. But above all, her film is a girl’s own fantasy. Arnold began exploring the precise perspective of a woman’s desire in her terrific debut, Red Road. With Fish Tank, the view is broader and the focus even sharper.
Mia is a tough, wiry teenager with a mouth like a sailor and only one way to escape the brutality of her daily life: she dances, always by herself with her headphones on, and always to the point of ecstasy.
British director Andrea Arnold won the Cannes Jury Prize for the searing and invigorating Fish Tank, about a fifteen-year-old girl, Mia (electrifying newcomer Katie Jarvis), who lives with her mother and sister in the depressed housing projects of Essex. Mia’s adolescent conflicts and emerging sexuality reach boiling points when her mother’s new boyfriend (a lethally attractive Michael Fassbender) enters the picture. In her young career, Arnold has already proven herself to be a master of social realism (evoking the work of Mike Leigh and Ken Loach), investing her sympathetic portraits of dead-end lives with a poetic, earthy sensibility all her own. Fish Tank heralds the official arrival of a major new filmmaker. –The Criterion Collection
Andrea Arnold’s pure, potent Fish Tank is many things: a taboo-breaking love story, a searing portrait of working-class Britain today, a film Ken Loach could have made had he been born a woman. But above all, her film is a girl’s own fantasy. Arnold began exploring the precise perspective of a woman’s desire in her terrific debut, Red Road. With Fish Tank, the view is broader and the focus even sharper.
Mia is a tough, wiry teenager with a mouth like a sailor and only one way to escape the brutality of her daily life: she dances, always by herself with her headphones on, and always to the point of ecstasy.
