Watching Ingmar Bergman’s 1961 Through a Glass Darkly now, you’re carried back to a golden era that was also an ice age. The year before, Michelangelo Antonioni’s drifting, elliptical masterpiece L’Avventura had been booed at the Cannes Film Festival; three years later, Carl Theodor Dreyer’s Gertrud would receive still worse treatment on its Paris premiere––an episode compared by one observer to “a spontaneous, unexpected lynching.”
It was the time when Alain Resnais’ glittering jigsaw puzzle of a movie Last Year at Marienbad set fashionable heads a-scratching, and when Robert Bresson reined in his style further with the intransigently minimalist Trial of Joan of Arc (1962). It was, in short, the belle époque of the European art film. The great modernist tide that swept through literature, theater, and painting in the early part of the last century had begun to trickle into cinema by the 1920s. But it crested amid the consumer prosperity of the postwar period, issuing in works that baffled and outraged even as they became markers of upscale taste. What these disparate films have in common are a tone of rarefied seriousness, a renunciation of humor (except perhaps the unintentional), a rigorous formalism. Their beauty is cold, austere, precise; their emotions range from the anguished and alienated to the inscrutably blank.
Size 1.05GB
Language Swedish
Subtitles included: English .srt
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